Transcript
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Welcome in.
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We have for ourselves a big treat.
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Somebody who I look up to in the world of Hama and in the world of our, but the satira and definitely in the world of podcasting.
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It is with much a carcatove that we welcome into the podcast the great historian, the expert historian.
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You.
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Who to give her?
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Can you hear me Thank?
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you.
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Yes, thank you so much for the warm introduction.
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It's a high bar to live up to.
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So I don't know if I'm an expert or a historian, but I I will, you know, do my best, and thank you so much for having me.
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It's a pleasure to be here.
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I want to put forth right away that the reason that we're having this interview is because we're in an unprecedented time.
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This is a time where we're Clio sirl definitely feels like there is a meet us had in.
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It's a time of war and it's a time where we're not really sure how to react really, whether we should be reacting in ways of action, what to be thinking.
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So I immediately thought of well, doesn't seem like anything new, because ain't Hadash tachas I show much.
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There's nothing new underneath the Sun.
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So why not go get a historian who knows about what happens in wars and knows how this stuff kind of goes down and what we should be thinking?
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And luckily Mr Udegheber agreed to come on the show.
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I'd like to begin the interview with Just jumping at it and I'd love to hear Exactly what you thought when you heard of the brutal Attacks that were perpetrated I believe it was October 7th by this war in Hamas Between Hamas and Israel.
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What were your initial thoughts when you heard about what was going on and what happened?
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so the initial thoughts, or rather what my stages of hearing, took place incrementally because the information was incomplete.
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We start to hear about it some chastira morning, basically because we had air raid sirens going off here in Bay Chamesh about seven or eight times that morning and we, you know, we had we carried out our hakafas and we kept on hearing rumors and we don't know how true they are and we Are struggling to keep our yantif as much as possible and at that point we're just more like clueless.
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So that's the initial.
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You know, something Looks, sounds like something bad.
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We're not really getting a picture, and a picture only becomes clear as we hear more and more information over the next couple of days.
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And immediately my first reaction was and by now it's Six weeks into the war, it's almost cliche, but I remember noting it like the first day or two that by sheer numbers it is the deadliest day for the Jewish people since the Holocaust.
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And that immediately got me thinking that, wow, we have a real comparison to the Holocaust for the first time after so many times that We've been saying you know, you can't be careful when you use Holocaust imagery and you can't make comparisons and and stuff like that.
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And all of a sudden, we have a real comparison.
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And then, once the atrocities Started to come out, and then it became even more Validated that that feeling, because those sadistic atrocities that we started to hear about in the subsequent days as, as the picture became more and more clear, brought so many comparisons and and, and then you say like hey, you know 2023, something that I bring groups to Europe to teach about the Holocaust and things that I mentioned in my podcast and my articles and in lectures all of a sudden it's not the past, it's, it's part of the present as well.
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And obviously there are differences and I'm not saying it's the same thing, but those are the initial reaction that I had and and, like you said, it was unprecedented, and unprecedented as a phrase we like to throw out, throw around.
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Anything like any election is unprecedented or anything.
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You know, lunch is unprecedented, but but here it truly was, at least in my lifetime.
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So it was.
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You know.
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You go through the psychological stages shock and denial and anger, and and up to a point where in Hebrew and in Israel, we call it Shigrat Milchama.
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Eventually you come to this routine of war that your kids are going to school every day and your life is very difficult and you're kind of trying to be have a normal life and even though it's war and they Chamesh, fortunately the last few weeks Blyat and Harapupupu, we haven't had air raid, sirens and but you know, I have neighbors on my block who are Away for weeks at a time and their families are long because they're in the army.
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I know a person who's kidnapped.
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I know soldiers at the military, I know a person who's kidnapped.
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I know soldiers at the front.
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So the war is there, it's in front of you, it's part of your daily life, but you, you go from the initial horror and shock and anger to Trying to continue with your daily routine.
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That's basically my been my reaction.
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I was on Simhastora.
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I walked outside, I was still in my tallest, it was in America and it was a beautiful sunny day, you know, like a classic Simhastora, where you know the Bahram are stealing the Torah's and probably drinking a bit too much and and the Balabat are, you know, fighting back and Trying to get to, trying to get on with it, and all of a sudden there was an Israeli guy walking outside and he had gotten news and he told me it was like a moment where you know where you are and you can picture it in time Israel's in a full-blown war, thousands dead.
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I wasn't even.
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I don't even remember like 9, 11.
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This was the first time that I ever had to process Emotions.
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You're a bit older than me, but tell me if I'm wrong here one of the things that made me enraged, um, and uncomfortably enraged, because normally Muster tells us not to be angry, but here, like it was confusing, because now I want it to be angry and Perhaps the Torah wants us to be angry or maybe we'll talk about that, but the fact that Is it.
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It's unprecedented that even you compared it to that scary h word of the Holocaust.
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But the Holocaust, the Germans still tried to hide Some of their actions until it became worldwide Information.
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But these people were broadcasting it.
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That's what made me so angry the fact that they're streaming it on tiktok and instagram and Promoting it.
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I wonder if you had that same reaction to it.
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It did surprise me that they were so open about it.
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Generally perpetrators are a bit more circumspect about that.
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The Nazis hid their crimes to an extent.
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They definitely were proud of them.
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On the other side, they did document it occasionally.
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Sometimes it was doing it for their friends and families, sometimes it was for internal use.
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One of the most famous images of the Einsatzgruppe in Ukraine operating in Ukraine wiping out Jewish communities in Ukraine is Einsatzgruppe C who wiped out the communities of Northern and Central Ukraine in the summer and fall of 1941.
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One of the most famous images of the Holocaust is a SS soldier from that Einsatzgruppe who is aiming at a Jewish woman holding her child.
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I think most people who have seen Holocaust pictures are familiar with that.
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That was actually posed.
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It wasn't quite an action.
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He didn't even kill the woman at the time.
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He killed her later that day.
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He forced the woman to pose with her child.
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He stood there holding his rifle in a certain way and asked someone to take a picture of him.
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Then he made that picture into a postcard and sent it back to his family like here's what we're doing out in Ukraine.
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I agree with you that in general the Nazis didn't document what was going on in the gas chambers.
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They didn't have videos and go-pros in the gas chambers.
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They were definitely proud of what they did.
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They definitely did share it and documented occasionally, but they definitely were trying to hide the crime on a much larger scale than Hamas did with their go-pros and literally streaming everything.
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Yeah, it did surprise me a bit.
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As soon as I reached out to you about the possible booking of this interview and the excitement of trying to get some perspective from you on this, I was a bit perplexed in how one of the things that you mentioned that you wanted to make a point about and talk about was something that I wasn't really familiar about.
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I'm hoping that you can shed some light about why you believe it's so crucial to talk about.
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That's the idea of bearing witness.
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Quite frankly, it's hard to do it.
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At times I've even been instructed to not look at the footage.
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Please do enlighten us as to why and what bearing witness is and why it's so important Again it's a great question and whatever follows is my personal feelings and opinion about it.
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I know that there's many who disagree and I respect diverging sets of opinions.
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I think there's this dilemma between bearing witness to horror and tragedy versus not looking at it to avoid the trauma.
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I don't want to be traumatized.
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I don't want to be kept up at night.
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It's not healthy for me psychologically and it's dangerous, and especially if we're talking about children.
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Anything that I'm promoting to bear witness is obviously age-appropriate.
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I want to make that 100% clear.
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I'm not promoting any idea that children should be exposed to these things.
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Obviously it has to be age-appropriate for adults.
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I write for Meshpacha magazine together with my esteemed colleague and dear friend Davi Safir.
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I'm a weekly column, a history column, for the record.
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I was reading the Meshpacha last few weeks and I noticed this raging debate in the letters to the editor whether the coverage of the Meshpacha magazine should include graphic pictures.
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There are two types of people who were writing against this idea.
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There were people who signed their name with an LCSW.
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They're social workers and therapists who are engaged with this kind of work.
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They understand the damage that can be done to people.
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They were opposed to being exposed to graphic pictures, other people who were name withheld, so they obviously didn't really believe in their own opinions because they kept it anonymous.
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Question is should adults bear witness to the heart?
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My feeling of it is that you definitely need to bear witness to the heart, to the tragedy.
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You need to confront it.
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It's a form of denial that we can't confront the heart or we can't confront the tragedy.
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It's basically what a lot of these anti-Semites out there are doing.
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They're saying October 7th never happened and it's a propaganda and it's ripping down the posters.
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I see it as a person who says I can't look at it, so then you're ripping out these people's faces.
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You're not willing to recognize the tragedy.
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A lot of people when they spoke about it and it gets very emotional and very charged atmosphere they mentioned Naisi Ba'al.
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I don't even think the topic is Naisi Ba'al.
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I'll get to it in a second.
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Why not?
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Because I think Naisi Ba'al has its place here.
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I think there's a lot more to it than just Naisi Ba'al.
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I think it is Naisi Ba'al, but it's much more than that.
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Let's take it in stages, let's look at it as Naisi Ba'al and then let me explain how it's.
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Even beyond that, there's a great story.
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He wanted stories about Zadikim.
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Love stories, we love them.
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We have to be reactive to this.
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Ravbakh Berleibovich, the great commoner to Rosh Hashiva and world-renowned, respected one of the greatest Zadikim of pre-war Eastern Europe.
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He was a Qadish.
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He was a person who was completely a holy person, removed from the mundane world that we deal with.
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One of his things was that he disliked to almost an extreme newspapers those are full of Lush and Harah and worse.
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He had a tremendous dislike for newspapers when he would allegedly this is what they say that when he saw one on his table or something, he would pull down his sleeve and remove it from the table to the floor to be swept into the garbage because he didn't want to touch it.
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As if it was like a dead reptile Like a dead reptile.
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Exactly, exactly.
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Yet in 1933, after Hitler came to power in Germany, ravbakh Berleibovich in Poland, not in Germany.
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Hitler comes to power in Germany in 1933.
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For the next six years until World War II begins, the Jews of Germany are suffering ever more intensely under Hitler.
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There's the Nuremberg laws and they're stripped of their citizenship and they're kicked out of their jobs and kicked out of schools, and there's restrictions and there's Kristallnacht, and then and shuls are burned and and and Jews are arrested and sent to concentration camps and all these terrible things.
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At that point I don't know if it was the day after Hitler became to power At some point after Hitler came to power, ravbakh Berleibovich started to read newspapers the thing that he had disliked so much in exchange, and people were shocked what are you doing?
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He's a renaut, been Israel in Germany are going through with Sarah.
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I need to know what is happening to them so that I could be nice to bowl.
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I need to know what they're going through.
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I need the details, I need the stories.
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I can't just know it in an abstract way.
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It's the equivalent of today's, you know graphics and videos, obviously, and says I need to go out of.
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That's against my ideology, that's so against what I believe.
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Because that's my responsibility as another year, I need to be nice to them.
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In order to do that, I have to be reading the articles that describe in detail and graphic detail how Jews are beaten up on the streets, how Jews are stripped of their citizenship, how Jews are kicked out of their jobs, how Kristallnacht happens, how the laws are passed so that he can be properly nice of all.
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I think that that point is obvious, but I think that it gets past nice, a bowl territory.
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I think that and I say this as taking responsibility, myself and the community Jewish Holocaust educators, or perhaps even Holocaust educators worldwide, not even non Jewish that we've been focusing when we discuss the Holocaust, when we teach the Holocaust and trips, tours, lectures, books, museums and a lot of other things.
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Our focus is on inspiration.
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Our focus is on the story of survival, the miraculous story of survival.
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That's what sells books.
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People want motivation and motivation.
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They want inspiration, motivation, want to moon moon is good on humanity.
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They want the points of light.
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They want that one non Jew who risked his life to save another Jew.
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You see that even with all the evil there's still goodness.
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And we failed.
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We failed as Holocaust educators because we focused on inspiration and we didn't confront the horror and the tragedy of the Holocaust, this and the bitter-glorious survivor.
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And I asked him if he had ever seen people do tfilin or anything like that in the camps.
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And you know, because that's what you read in the books.
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So he said you know, you think that Auschwitz is some sort of stable that in this barracks they were putting on tfilin and in the next barracks they were davening mencha and in the next barracks they were lighting the chanikamner.
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He said you don't understand.
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It was a horror, it was a terrible, terrible place.
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And maybe once in a while there was someone who also, in the midst of that horror, with great, mysterious snafish and heroics, put on tfilin, maybe, and maybe even gave his life for it.
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Who knows?
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But the point is, yeah, sorry, you know, go ahead, you're bringing up something that's already.
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As somebody who grew up in America, it's already hard to hear you talk about these things and it's because I feel like a very for lack of a better word desensitized for only peace and love.
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But I guess it's a perspective that you bring with history and you're right.
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Most of the Holocaust stories that I have heard are mostly about you know what Rob Dustin-Svies said and pushing your blanket to others and helping people and a lot of these types of somehow still happy and motivational lessons.
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But there's still millions of people hurt.
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And maybe tell me what you think about the following axiom, if you will, that I heard one great God that'll say that it takes bravery to have emuna, to not deny, but to see and be brave.
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Do you believe that it would take bravery to have emuna?
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Is that part of what you're saying?
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Yeah, yeah, that's a great way, that's a great.
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Yeah, I like that because it's exactly that it's.
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When I see the tragedy and I confront the horror and I see the evil, I look at the bad and in the eye and I say I don't understand it.
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It makes me angry, it makes me want revenge, it makes me feel all kinds of horrible feelings and emotions that I don't even want.
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I don't want to be angry, I don't want to feel revenge, I just want to feel love and peace and inspiration.
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But yet this is what I see and I don't understand it.
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And I want to understand.
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But I recognize my limitations and I don't.
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And I make that leap of faith to emuna.
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That's, emuna, what I'm inspired.
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And hey, there's a happy ending because the guy survived with the Tfilian.
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So then they hey, that's not a big deal to be in my image.
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Now, I'm not negating it, don't get me wrong.
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I'm saying put it in perspective, give it the right context, give it its place.
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It has to be balanced.
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You can't be over focused on it.
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And especially in the initial stage, the first few days after the massacre, the first few weeks after the massacre, there's a mitzvah to remember what Amalek did.
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It doesn't say remember to be inspired from how people survived.
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Amalek, it's a brilliant deal.
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It's a brilliant analysis.
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Right, and you know I'll tell you something a few years ago and I say this every single time I bring a group to Auschwitz on our way in, I say this story, and again about Tzadikim.
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So you like Tzadikim, right?
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We love Tzadikim stories.
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So several years ago I had the privilege there was a day, a yom iyun, a day of educators, a Charedi.
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Educators from all over Israel came to Yad Vashem, a Charedi day at Yad Vashem for Charedi Holocaust education, and the keynote speaker was the Hele Gettol Nerebashlita Zlang Zun Nishtar.
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He was a wonderful speaker, brilliant man.
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I really admire him.
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Not that he needs my asgama, and he spoke, and he said a vart there that I repeat every single time I bring a group to Auschwitz.
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He said that there's two mitzvahs of history in the Tyra one, a general mitzvah to know Jewish histories Chariah Meisai'ilim b'nushneis dar-v'dar, shalavichh yigetch hazak'inach v'imrulach and then one, a mitzvah, to remember the tragedies of Jewish history Zachariah is asher asul-chah, a maleikh with the erotism of Israel, and all the Svahar Magdai'shim speak about how a maleikh is shabchol dar-v'dar, aimdim alein al-chalisa'in.
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And it's not only that one specific time.
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So he said now I don't know diktuk, so I'm just taking his word for it.
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He said there's a difference between when the shiva sign the vowel is under the zayin zichariah yimaisi'ilim b'nushneis dar-v'dar, and when the kamatz vowel is under the zayin zachariah asher asul-chah maleikh.
00:21:55.804 --> 00:22:01.726
He said that when it's a kamatz, it's a stronger language, it's a stronger command.
00:22:01.726 --> 00:22:07.201
It's heavier as opposed to zichariah is a softer expression.
00:22:07.201 --> 00:22:08.263
That's what he said.
00:22:08.263 --> 00:22:09.718
So the question is, why?
00:22:09.718 --> 00:22:10.741
Why over here, is it?
00:22:10.741 --> 00:22:11.825
You know softer expression?
00:22:11.914 --> 00:22:20.821
So the Talmud Rabbah said that when it's zichariah, yimaisi'ilim b'nushneis dar-v'dar, it's a really easy mitzvah to fulfill.
00:22:20.821 --> 00:22:21.423
You know how.
00:22:21.423 --> 00:22:27.144
You just read the end of the pasak sh'al avichh kaviagad ch'azakaynah kaviayim-rulak.
00:22:27.144 --> 00:22:30.878
Go to your parents, find out the traditions, find out the messiah.
00:22:30.878 --> 00:22:33.559
Go to your abeim, go to your grandparents, go to this canum.
00:22:34.494 --> 00:22:41.384
He said what happens when a maleikh wipes out Clalius'ril or part of Clalius'ril, and you lost the tradition, you lost that generation.
00:22:41.384 --> 00:22:43.460
And you're wondering what is this?
00:22:43.460 --> 00:22:44.242
Where do I come from?
00:22:44.242 --> 00:22:46.001
Why did a maleikh come and destroy us?
00:22:46.001 --> 00:22:46.355
Why?
00:22:46.355 --> 00:22:47.821
What's happening here?
00:22:47.821 --> 00:22:48.919
What was this, khurban?
00:22:49.934 --> 00:22:59.369
So the Tairis says oh, you're gonna say, well, I don't have anyone to ask and I'm full of questions, so I'm just gonna move on, because it's too horrible, I can't confront the tragedy.
00:22:59.369 --> 00:23:06.268
So the Torah says Zachar, I raise Hashirah, I'm all like a very strong command.
00:23:06.268 --> 00:23:18.330
And the Torah then went on in his own words and he said the Torah is telling you go to Yad Vashem, go to Auschwitz, go read books about the Holocaust, go get a Holocaust education.
00:23:18.330 --> 00:23:22.185
That's what the Torah is telling you, because you need to confront the tree.
00:23:22.185 --> 00:23:24.852
You need to find out what I'm all like does and how he operates.
00:23:24.852 --> 00:23:25.375
It's very important.
00:23:25.375 --> 00:23:33.969
Now, if you look at the chazals of the Gmariz and Medrashim on Eichah the Tisha above time, everyone's very into that.
00:23:33.969 --> 00:23:36.375
Those are incredibly graphic.
00:23:36.375 --> 00:23:47.229
The chazals on the Tayiqah and the poor Mesamaikah they talk about people starving and blood and cannibalism.
00:23:48.839 --> 00:23:50.244
And mothers eating children.
00:23:50.836 --> 00:23:51.836
Others eating children.
00:23:51.836 --> 00:23:58.406
There's a chazal of nine carbon of brain on a rock from Jewish children were massacred.
00:23:58.406 --> 00:24:00.269
These are Medrashim, these are Gmaris.
00:24:00.269 --> 00:24:18.335
Now, they did not have video and pictures in the time of chazal, so the only way to convey a horrible image or a horrible video in the times of chazal was to create a text that's so graphic that you're horrified, and chazal went out of their way to do it.
00:24:18.335 --> 00:24:19.877
So you know.
00:24:19.877 --> 00:24:29.355
Luckily they didn't have people in writing to chazals letters to the editor pages telling them you know you're not allowed to write.
00:24:29.355 --> 00:24:35.375
You're not allowed to write such graphic descriptions because people aren't going to be able to sleep at night and they're going to be traumatized.
00:24:35.375 --> 00:24:46.375
Well, apparently chazal felt you're supposed to be traumatized On Tisha above when you're sitting on the floor and mourning the Besameikah when the tragedy happens, then you're supposed to be traumatized.
00:24:46.375 --> 00:24:55.375
The kinesis on Tisha above, about the crusades, were things that were composed I don't know if we say that on Tisha above or not about Takvata, the Chamel Niski massacres in 1648, 1649.
00:24:55.375 --> 00:24:57.375
They're incredibly graphic.
00:24:57.756 --> 00:25:02.544
Oh, I heard your episode and I still can't sleep about it, with just something to do with cats.
00:25:02.544 --> 00:25:03.807
I don't know if you know what I'm referring to.
00:25:04.126 --> 00:25:10.315
Yeah, yeah, and then rape and bedding and lynching all kinds of things.
00:25:10.315 --> 00:25:20.375
So apparently, these Gdailei Island, these great sadikim who wrote these kinesis and the chazal akadeshim who wrote it, they felt that we need to be traumatized, they felt that we need to confront the horror.